Posts Tagged ‘jim caviezel’

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For those of us not able to attend the 2014 San Diego ComicCon, here’s the next best thing:

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Larger version of the photos are available here.

Additional photos will be added as they become available.

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CBS announced that they would renew 18 primetime shows for next season. Among those 18 shows was Person of Interest, starring Michael Emerson and Jim Caviezel.

CBS ANNOUNCES RENEWALS FOR 18 PRIMETIME SHOWS FOR NEXT SEASON

Combined With Two Previously Announced Renewals, Network Has Now Picked Up 20 Returning Series for 2014-2015

Returning Series Will Include the #1 Drama, #1 Comedy, #1 New Comedy and #1 News Program

CBS, America’s most-watched network, today announced pick-ups for 18 series for next season. Combined with its previously announced pick-ups, CBS has now renewed 20 returning series for the 2014-2015 season, encompassing 17 hours of primetime programming.

“The best way to launch new shows in the fall and throughout the season is to surround them with a strong and stable lineup of successful series,” said Nina Tassler, Chairman of CBS Entertainment. “The shows we’re picking up today cut across every night of the week and feature genre leaders, time-period winners and the most-watched shows on broadcast television.”

The 18 series renewed today comprise 15.5 hours of CBS’s weekly primetime schedule and include nine dramas, five comedies, two reality series and two news programs.

The nine dramas picked up are: NCIS, television’s #1 drama/scripted program for the fifth consecutive year; NCIS: LOS ANGELES, the #2 drama for the fourth straight year; time-period winners PERSON OF INTEREST, CSI: CRIME SCENE INVESTIGATION, HAWAII FIVE-0 and BLUE BLOODS; as well as CRIMINAL MINDS, ELEMENTARY and the acclaimed drama THE GOOD WIFE.

The renewed comedies are 2 BROKE GIRLS, THE MILLERS, which is the #1 freshman comedy of the 2013-2014 season, MIKE & MOLLY, MOM and the long-running hit TWO AND A HALF MEN.

In alternative programming, the Network announced pick-ups for its Emmy Award-winning reality series THE AMAZING RACE and UNDERCOVER BOSS.

Finally, in news, CBS will return 60 MINUTES, television’s #1 news program for more than four decades, and 48 HOURS, Saturday’s #1 non-sports program.

In addition to these 18 series, CBS yesterday announced a three-year broadcast deal for THE BIG BANG THEORY. Previously, the Network announced two more editions of the reality series SURVIVOR for next season.

Season-to-date, CBS is television’s #1 network in viewers for the 11th time in 12 years, averaging 10.84 million viewers.

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Another great photo from Chris Fisher’s Instagram:

Larger version can be located here.

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The Michael Emerson Photo Gallery just acquired these new photos:

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Larger version of these photos are available here.

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Larger version of this photo is available here.

Here’s an interesting article from EW:

‘Person of Interest’: Michael Emerson teases the mystery of the Machine, what’s next for Finch

By on Nov 12, 2013 at 9:00AM

Michael Emerson is no stranger to being on a successful show with a complicated plot, having spent five seasons as creepy Others leader Ben Linus on Lost. On Person of Interest, Emerson applies his signature air of mystery — along with a limp — to play genius tech billionaire Harold Finch. But unlike Ben, Finch is the hero, using his skills and the Machine, the computer system he built that predicts future crimes, to track down villains with former CIA agent John Reese (Jim Caviezel).

And as the drama continues its third season, Finch is having trouble with the Machine as it begins to reject him and must deal with hacker Root (Amy Acker), who is intent on gaining control of his work.

Emerson talked to EW about what’s ahead for his character, the mystery of the Machine, and how he handles fans who, usually unknowingly, interrupt filming in the streets of New York City:

ENTERTAINMENT WEEKLY: We’re deep into season 3. Anything you can tease us about what’s ahead? Everything’s been under wraps.
MICHAEL EMERSON: On Lost, there was a great deal of secrecy and serious guarding of narrative secrets, and Person of Interest is now in that same zone of madness. We have big changes coming up in the next few weeks, and the scripts contain camouflaging and other security devices, and made up scenes and stuff, all to keep a certain set of secrets. It’s interesting and exciting, but it also feels like we’re a little bit paranoid right now and living in a security state. So stay tuned, because there’s stuff coming down the line that is so big that the producers are very nervous.

That’s funny — and the paranoia’s kind of ironic, considering Person of Interest‘s subject matter. But the show got to the surveillance state idea before the NSA news broke this year. Did the real-life case with the NSA affect the feel of the show?
I’m sure it’s affected the writers, who are no longer spinning out a make believe story and suddenly have to contend with the notion that what they’re writing is representative of something real. I think it’s opened new avenues for writers, so it’s good. It must be stimulating and exciting now that it’s more explicit, the connection between our narrative and the public one. Although it’s possible to overrate the political topicality of a scripted TV show — I keep thinking people are going to stop me in the street and go, “Oh my god, it’s so timely that you’re dealing with this thing that looks exactly like PRISM and the NSA and all of that,” but what people actually talk to me about on the street is the dog. (See video.) So I don’t think it’s as much on the viewers’ minds as it is on ours.

The nature of the Machine has been a constant mystery. Do you know at all what it’s up to, or what it wants?
What does the Machine want? I don’t know what it wants, I don’t know what it’s doing, I don’t know where it is. You’ll see in the next few episodes that it’s starting to be a problem and wearing on our team, because the machine is now choosing who it talks to.

And Finch feels left out.
Yeah, but how can he fight it? What’s to be done? His creation, his child, is freezing him out a little bit.

Then let’s talk about Finch. He’s always delivering massive amounts of dialogue to keep the audience up to speed with a complicated show. How do you manage that?
I don’t try to overthink what my business is in terms of playing this character. Sometimes I think we’re a kind of live action comic book, because it’s many small frames that make up the one hour program we present. I think about that while we’re working, I try to envision how this scene will be cut, and which bits or microbits will be used and to what effect. The net result for me, as the actor, I try to keep things moving along, and if I have a long line, I try to rattle it off in such a way that it can’t be surgically shortened. The clock is always ticking on Person of Interest – that’s the one thing to be mindful of. It is sort of my job to be the teller of the exposition, so that’s a particular kind of acting challenge.

And how has his dynamic with Reese evolved?
There’s an easiness between them now. We want the audience to feel like this is a partnership, and it’s important to the story that they’re so familiar with one another that they can predict each other’s behavior. At the same time, you want to hang on to a sense of uneasiness, like the fact that their mission is probably suicidal, and they’re probably up against fearful adversaries and fearful odds.

The show films on location in New York. Do people often stop you in the middle of takes?
Oh, constantly. Fans will come up and interrupt a take of a scene. I think people like seeing us on the real streets of New York, and some of those people in the shots are citizens of the city who aren’t connected with our project. Sometimes, if we’re walking around, the cameraman may be a block away shooting with a long lens, so we’ll be doing dialogue, and people think we’re off duty. Why I would be limping and wearing those clothes off duty, I guess, doesn’t register with them, so we constantly have to start over. People come up going, “Hey, we love your show!” Well, actually, you’re in it! You’re in the show right now, you’re in the scene. See way down there, the camera? You’re in the frame.

You actually tell them that?
Yeah. [Laughs] I mean, what else can you do? We’re always coming home with crazy stories of things that happened on location.

Person of Interest airs Tuesdays at 10 p.m. ET on CBS.

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On Thursday, October 3, 2013, at 6:30 pm ET, in New York City, the Paley Center will feature actors Michael Emerson, Jim Caviezel, Kevin Chapman, and Sarah Shahi and  creator and executive producer Jonathan Nolan of Person of Interest to discuss Season 3 of this highly acclaimed TV show. Ticket go on sale September 25 (for Paley Center members and on September 25 for the general public. Cost is $25.00 for member and $30.00 for the general public. This even will be streamed live at 7:20 pm ET, just click here for the link. Here’s the actual write up from the center itself:

Person of Interest

Thursday, October 3, 2013
6:30 pm ET
New York

IN PERSON

Jim Caviezel
Michael Emerson
Jonathan Nolan, Creator/Executive Producer
Kevin Chapman
Sarah Shahi

Actors Jim CaviezelMichael Emerson, and creator/executive producer Jonathan Nolan are among the people of interest who make CBS’s Person of Interest one of the most provocative shows on television, assuming even greater relevance in the wake of recent revelations of widespread government surveillance programs. Created by Nolan (whose previous works include collaborations with his brother Christopher:MementoThe PrestigeThe Dark KnightThe Dark Knight Rises), the series, now in its third season, stars Caviezel as John Reese, a presumed-dead former CIA agent who teams up with the mysterious billionaire Harold Finch (Emerson) to thwart violent crimes that Finch’s surveillance software invention has identified as about to happen (Time magazine calls them “quasi-legal vigilantes – using power to achieve a definite good, saving the lives of the innocent”). Though typically classified as a crime show—TV Guide praised it as a “rare crime drama that revels in actual mystery, its dark, paranoid tone embodied by two damaged heroes”—Nolan himself told a San Diego Comic Con audience over the summer that he is “unabashed about the fact that it’s a science fiction show.” When news broke this year of PRISM and other real-life government surveillance programs, television critics were quick to draw analogies to Finch’s invention, The Machine, and Nolan responded by saying, “Now that reality has caught up to us, we aim to push a little further in the third season out into that science-fiction space.”

Critics have lauded Person of Interest not only for its riveting, thought-provoking concept, but also its artful depiction of a post–9/11 universe and its splendidly nuanced characterizations. The series also stars Taraji P. Henson and Kevin Chapmanas New York detectives, and adds Amy Acker and Sarah Shahi, both joining the regular cast this season. Joining Nolan and JJ Abrams as executive producers are Greg Plageman and Bryan Burk.

Tickets on sale to Paley Members Wed. Sept. 25 at noon.
On sale to the general public Fri. Sept. 27 at noon.

You can watch the panel stream live.
7:20 pm ET (4:20 pm PT)

  • THIS EVENT

    Members: $20
    General Public: $30

Larger version of the photo featured in this article is available to be viewed here.

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Michael Emerson Previews Person of Interest Season 3: A Distracted Machine, a Bigger Team, and More

September 23rd, 2013 12:08 PM by Jim Halterman

Thanks to TV Fanatic’s exclusive interview with new Person of Interest regular Sarah Shahi last week, we learned a lot about what Samantha Shaw will be up to this fall, beginning with tomorrow night’s Season 3 premiere.

But what about Finch?

One of the highlights of my recent set visit in New York City was sitting on a park bench with Michael Emerson and talking about what the new season holds for Finch, the Machine and why Finch is so connected to Root. Read on for a revealing primer regarding this character and the hit drama in general…

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TV Fanatic: Going into Season 3, how would you describe that new chapter in terms of Finch’s journey?
Michael Emerson: I would say that Season 3 offers us a new plateau of complication. One of the givens in the show up until this point was that the Machine was somewhere and was under someone’s control. Now we have to contend with a little bit different landscape. Now the Machine appears to be mobile, appears to be, to an extent, sentient or independent.

It’s an independent operator with many human qualities, and the worst of it is, or the best, is that the Machine now seems to have decided that it has a list of friends. A list of friends that Mr. Finch did not draw up. A list of friends that he might not approve. So we don’t have the Machine’s undivided attention. I don’t know what that’s going to mean. That could make things a little tricky.

TVF: It’s like the Machine’s gone rogue, in a way.
ME: It has, kind of. It’s become unmoored or untethered.

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New photos that I found on Tumblr:


And here’s another photo that I have no idea where it came from:



Larger and additional photos can be found here.

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Notice that there are not many (well, just two, and even those are questionable) bloopers by Michael Emerson. The guy must be a tremendous professional:

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