Archive for the ‘video’ Category
Michael Emerson sure loves his vests, he even wears them to the ball game. On Saturday, April 19, 2014, Carrie Preston shared a photo on her Instagram. She, Michael, and some friends were on the way to the Dodger’s ball game, and of course, Michael is wearing a vest. According to a tweet from Carrie, Michael’s idea of casual is wearing a vest. Gotta love the eccentric Michael Emerson.
Here’s a new photo found on Twitter that has been added to the photo gallery:
The larger version can be viewed here.
Also, Carrie Preston posted a video on her Instagram of Michael and Carrie singing, “Take Me Out to the Ball Game.”
Video from Gauna-03 Tumblr account. Embeded from photobucket because couldn’t embed from original source.
On Sunday, March 30, 2014, Michael Emerson joined Frankie J. Alvarez (HBO’s Looking), John Behlmann (The 39 Steps), Nick Choksi (Natasha, Pierre and the Great Comet of 1812), Kelli Giddish (Law & Order: SVU), Chad Goodridge (Passing Strange), Allison Guinn (Hair), Greg Hildreth (Cinderella, Peter and the Starcatcher), Autumn Hurlbert (NBC’s The Sound of Music Live!), January LaVoy (Enron), Nicole Lewis (Hair), Lauren Molina (Rock of Ages, Sweeney Todd), Jennifer Mudge (Rocky), Rob Morrison (Avenue Q), Stephen Plunkett (War Horse, The Mend), and Liv Rooth (Beyond Therapy, Venus in Fur) for Three Day Hangover’s Big Boozy Benefit, an event supporting the company’s Season. The event was held at 7pm at Rockwood Music Hall, Stage 2, 196 Allen Street (between East Houston and Stanton) in NYC.
Watch Michael Emerson perform “To Be or Not to Be”
Three Day Hangover’s Big Boozy Benefit is generally a starry night of music and a kick-ass party. Michael Emerson performed Hamlet’s most famous soliloquy (To Be or Not to Be), there was an 80’s power ballad infused in Twelfth Night, a Romeo v. Mercutio rap battle, party games with a tipsy Yelena, a rockstar Duke kicking off the evening, and much more! The event was a created to raise some cash for Three Day Hangover’s 2014 Season, which will include alcohol-infused, innovative productions of Shakespeare’s Twelfth Night, Chekhov’s Uncle Vanya, and a never-before seen, Two-for-One Shakespeare mash-up.
Tickets to Three Day Hangover’s Big Boozy Benefit ranged from $50 to $100 and included drink tickets.
If you, as I, never heard of Three Day Hangover, I just learned that the it is a New York City theater company that produces fresh, unexpected, immersive, joyful productions of classic plays in bars. They tell great stories and celebrate some of the most beautiful language in the world. They meet their audiences on their own turf. They want their audiences to have a beer and relax, then to lean forward, and get swept up in a story told in a way they’ve never seen before. Three Day Hangover’s inaugural productions, enjoyed rave reviews, sold out runs, extensions, and most importantly, some of the feistiest, most engaged audiences midtown has ever seen. So, if you live in the NYC area or plan to visit, this is a good place to go to.
Here is one of the many photos that are also available in larger formats at the photo gallery:
I recently posted a link to Carrie Preston’s chat with the people of Super Knocked Up. In the post I had a video of the entire hour-long chat (which I recommend that you watch because it is funny). Michael Emerson makes a cameo appearance in the video. If, however, you do not want to wait till mark 55:29 to see him, Cindy4Ever of Tumblr posted this video for your enjoyment:
Michael Emerson’s wife, Carrie Preston from True Blood and The Good Wife joined the cast of the Web series Super Knocked Up along with her DARWIN Web series colleagues, Karl Kenzler and Chris Gerson for an online, live-streaming chat. They chatted about what life-coach advice they would give to fictional characters, what Disney characters they would put in other fictional universes, and they played a fun game of ScatterMovies! Michael Emerson made special cameo. If you want to skip a lot of the chitchat, Michael Emerson appears at 55:29 frame. Enjoy.
Michael Emerson is once again giving interviews. Here’s the newest on with CBS News.
The cast members of CBS’ hit drama “Person of Interest” work pretty long hours — many of which are spent outside, and this year they faced an additional obstacle: bad weather.
Filming in and around New York City caused a few hurdles as snow storm after snow storm battered down the East Coast.
“The New York winter, particularly this New York winter, has been rough,” said Michael Emerson who portrays Harold Finch in “Person of Interest,” alongside castmates Jim Caviezel, Taraji P. Henson and Kevin Chapman.
Emerson recalled shooting during a major snow storm in New York City’s Madison Square Park earlier this year. “It was all outdoors — all day. And the snow came earlier than what was expected. So by mid-day…we’re all covered with snow — they have to come with brushes and de-ice us between scenes,” he said.
The show, which is winding down taping for season 3, just got renewed for a fourth season. Emerson said it wasn’t a huge surprise to hear the news because of the show’s solid viewership, but he’s grateful nonetheless.
As for the remainder of the current season, Emerson said story lines that are already in motion will play out even further.
“There is competition to the Machine out there, and the Machine itself is not playing by the rules any longer. So it’s a very scary time for our heroes — whether they’ll get numbers, whether they’ll get the right numbers, or whether they’re being played. There’s a lot of that going on. We continue to crank out episode after episode of social security numbers and people that need our help,” Emerson told CBS News.
Emerson said he hopes that his character — a billionaire software genius — grows more complicated in the seasons to come. “You begin to see the cracks in the veneer that you may have taken for granted at the beginning,” he said.
“Mr. Finch may be more tired and more certain than he was at the beginning of things, and he has more morale dilemma I think now that the Machine has gone rouge in effect and that the forces allied against him — it must make him sleepless. They seem so powerful and so numerous and insurmountable,” said the 59-year-old actor.
In Tuesday’s (March 18) episode, the Machine assigns Root (Amy Acker) to seek out a janitor with a mysterious past, but when her presence puts his life in danger, Finch also receives his number.
Emerson, who’s married to actress Carrie Preston, will sometimes sit down with his family in New York to watch the show.
“If I’ve seen it before and the rest of the family hasn’t, I will sit through it one more time just because it’s fun. You can do commentary as it goes along,” he said.
Like tell the back-story of shooting on that icy-cold day in Manhattan.
For more on “Person of Interest” and Emerson’s interesting career path (he’s worked as a carpenter and magazine illustrator), check out our sit-down interview with him above. It includes a preview of tonight’s episode.
We also asked Emerson to answer some of your Twitter questions — check out his answers in the video above.
“Person of Interest” airs Tuesdays at 10 p.m. ET on CBS.
© 2014 CBS Interactive Inc. All Rights Reserved.
When it comes to the LOST finale, I didn’t like it. I was also not happy that many mysteries were not solved. Moreover, I was not happy that, as the show was nearing it’s end, nonetheless new mysteries were thrown in the mix and were never resolved. But that’s my opinion, not Michael Emerson’s opinion. Here’s a new interview he made for CBS:
BC’s hit series “Lost” premiered 10 years ago this September, and some of the cast members will be celebrating the milestone Sunday night at PaleyFest 2014 in Los Angeles.
Showrunners Damon Lindelof and Carlton Cuse are expected to attend the anniversary event, along with a several former cast members, including Josh Holloway, Daniel Dae Kim, Yunjin Kim, Jorge Garcia, Emilie de Ravin, Ian Somerhalder, Maggie Grace, Nestor Carbonell and Henry Ian Cusick.
One person who’s unable to attend is Michael Emerson, who portrayed villain Ben Linus on the show. Emerson, who will be in New York City taping season 3 of the CBS drama “Person of Interest,” said although he can’t be there for the reunion he still keeps in touch with his fellow castmates and has made lifelong friends.
During a visit to CBS New on Friday, Emerson reflected on “Lost” and gave his interpretation of the show’s still-talked-about series finale, which aired May 23, 2010.
Emerson said he really like the way the show ended (particularly for his character), although he says he “may be in the minority.”
“I thought because ‘Lost’ was told in an unusual way; it wasn’t a straight line. It seemed to be a story whose narrative exploded in all directions,” Emerson said. “So, how are you going to wrap that up? And the only way I could think of — and the way they ended up doing it — was to bring everything back to the middle — to return to the beginning…To me, it was very satisfying.”
To find out what Emerson thinks about the finale in terms of Ben Linus, check out the video above.
© 2014 CBS Interactive Inc. All Rights Reserved.
Here’s an interesting article from EW:
‘Person of Interest’: Michael Emerson teases the mystery of the Machine, what’s next for Finch
By Shirley Li on Nov 12, 2013 at 9:00AM
Michael Emerson is no stranger to being on a successful show with a complicated plot, having spent five seasons as creepy Others leader Ben Linus on Lost. On Person of Interest, Emerson applies his signature air of mystery — along with a limp — to play genius tech billionaire Harold Finch. But unlike Ben, Finch is the hero, using his skills and the Machine, the computer system he built that predicts future crimes, to track down villains with former CIA agent John Reese (Jim Caviezel).
And as the drama continues its third season, Finch is having trouble with the Machine as it begins to reject him and must deal with hacker Root (Amy Acker), who is intent on gaining control of his work.
Emerson talked to EW about what’s ahead for his character, the mystery of the Machine, and how he handles fans who, usually unknowingly, interrupt filming in the streets of New York City:
ENTERTAINMENT WEEKLY: We’re deep into season 3. Anything you can tease us about what’s ahead? Everything’s been under wraps.
MICHAEL EMERSON: On Lost, there was a great deal of secrecy and serious guarding of narrative secrets, and Person of Interest is now in that same zone of madness. We have big changes coming up in the next few weeks, and the scripts contain camouflaging and other security devices, and made up scenes and stuff, all to keep a certain set of secrets. It’s interesting and exciting, but it also feels like we’re a little bit paranoid right now and living in a security state. So stay tuned, because there’s stuff coming down the line that is so big that the producers are very nervous.
That’s funny — and the paranoia’s kind of ironic, considering Person of Interest‘s subject matter. But the show got to the surveillance state idea before the NSA news broke this year. Did the real-life case with the NSA affect the feel of the show?
I’m sure it’s affected the writers, who are no longer spinning out a make believe story and suddenly have to contend with the notion that what they’re writing is representative of something real. I think it’s opened new avenues for writers, so it’s good. It must be stimulating and exciting now that it’s more explicit, the connection between our narrative and the public one. Although it’s possible to overrate the political topicality of a scripted TV show — I keep thinking people are going to stop me in the street and go, “Oh my god, it’s so timely that you’re dealing with this thing that looks exactly like PRISM and the NSA and all of that,” but what people actually talk to me about on the street is the dog. (See video.) So I don’t think it’s as much on the viewers’ minds as it is on ours.
The nature of the Machine has been a constant mystery. Do you know at all what it’s up to, or what it wants?
What does the Machine want? I don’t know what it wants, I don’t know what it’s doing, I don’t know where it is. You’ll see in the next few episodes that it’s starting to be a problem and wearing on our team, because the machine is now choosing who it talks to.
And Finch feels left out.
Yeah, but how can he fight it? What’s to be done? His creation, his child, is freezing him out a little bit.
Then let’s talk about Finch. He’s always delivering massive amounts of dialogue to keep the audience up to speed with a complicated show. How do you manage that?
I don’t try to overthink what my business is in terms of playing this character. Sometimes I think we’re a kind of live action comic book, because it’s many small frames that make up the one hour program we present. I think about that while we’re working, I try to envision how this scene will be cut, and which bits or microbits will be used and to what effect. The net result for me, as the actor, I try to keep things moving along, and if I have a long line, I try to rattle it off in such a way that it can’t be surgically shortened. The clock is always ticking on Person of Interest – that’s the one thing to be mindful of. It is sort of my job to be the teller of the exposition, so that’s a particular kind of acting challenge.
And how has his dynamic with Reese evolved?
There’s an easiness between them now. We want the audience to feel like this is a partnership, and it’s important to the story that they’re so familiar with one another that they can predict each other’s behavior. At the same time, you want to hang on to a sense of uneasiness, like the fact that their mission is probably suicidal, and they’re probably up against fearful adversaries and fearful odds.
The show films on location in New York. Do people often stop you in the middle of takes?
Oh, constantly. Fans will come up and interrupt a take of a scene. I think people like seeing us on the real streets of New York, and some of those people in the shots are citizens of the city who aren’t connected with our project. Sometimes, if we’re walking around, the cameraman may be a block away shooting with a long lens, so we’ll be doing dialogue, and people think we’re off duty. Why I would be limping and wearing those clothes off duty, I guess, doesn’t register with them, so we constantly have to start over. People come up going, “Hey, we love your show!” Well, actually, you’re in it! You’re in the show right now, you’re in the scene. See way down there, the camera? You’re in the frame.
You actually tell them that?
Yeah. [Laughs] I mean, what else can you do? We’re always coming home with crazy stories of things that happened on location.
Person of Interest airs Tuesdays at 10 p.m. ET on CBS.
Here’s a wonderful interview that Michael Emerson gave Parade Magazine:
Parade Rewind With Michael Emerson: Secrecy on Person of Interest, Why He’s Glad He Married an Actress, and His Archeologist Dreams
by Erin Hill
Person of Interest star Michael Emerson stopped by to chat with Parade about growing up in a small town in Iowa, his Lost legacy, his days as a magazine illustrator in New York City, the benefits of being married to a fellow actor (Carrie Preston), and more.
You play Harold Finch on Person of Interest. What do you enjoy most about this role?
I like that Harold Finch is a language role. That he speaks well and has a particular way of speaking and I like the challenge of the technical material, the jargon that he uses. I think it’s funny.
Finch is a software genius. Are you much of a tech guy in real life?
No I’m not. It’s a shameful confession that I have to make, but I don’t do well with electronics. In our house, my wife Carrie is the electronics genius and needs to help me almost on a daily basis with simple things like email and going online shopping!
Have you picked up any tricks and tips along the way as Finch?
Well, I’ve picked up some paranoia along the way. I’m very conscience now of surveillance cameras. I’m very conscious of where my cellphone is at all times and the ease with which it can be hacked or bluejacked and that your whereabouts your habits your location can be in the hands of someone else.
You’ve played some intense characters over the years. How do you come up with your character’s delivery?
I tend to think of the character’s I play musically, like they are an instrument and there is a score to be played and I’m allowed to determine the grace notes or I’m allowed to determine pitch and melody on my own. I think of what is the most possible unexpected delivery of a line or tone of a line. And sometimes that has interesting results.
Does that stem from your theater career?
I think I would have no success in front of the camera had I not been on the stage for so many years because the stage is even more about language than the camera world is, and your job as a craftsperson is to find interesting ways to deliver lines that may or not be beautifully written. It helps if they are.
Where did your love of theater come from?
I suppose like every little kid, I liked make-believe and dressing up. Luckily, I never set it aside. And then when I was 10 or 11, I saw some kids at the local high school do a play and I was dazzled by how funny and glamorous they were. God only knows what it was like if we saw a video tape of it now — we might be horrified — but there was a boy that went to my church and he played the insane uncle in Arsenic and Old Lace and I became his fan for life. I thought if it was possible to be that cool and funny and glamorous doing anything that I wanted to do that as well.
What were you like in high school?
I was a skinny, little loud mouth with glasses!
What was it like growing up in a small town in Iowa?
I grew up in a tiny little farm town in Iowa. Toledo, Iowa. And I had a good upbringing. It was a quiet, safe place. Middle America. It really was. My parents still live in Iowa, I make it back there.
What was it like making the transition from Iowa to New York City?
I went to undergraduate at Drake University in Des Moines, Iowa, and that was a great culture shock. Moving from my little town to the big city of Des Moines. I was so homesick and anxious about it all. Eventually, you get caught up in your work at college and you forget about that, but then it did kind of knock the wind out of me when I moved from Des Moines to New York City in the middle ‘70s when it was a tougher, grittier town. I didn’t know how to begin an acting career. I had been taught how to act, but not how to engage in the business of acting, so it was all I could do to get a roof over my head, so I lost track of that dream for many years. I became a magazine illustrator until my mid-thirties when I found my way back to the stage.
What did you want to be when you were little?
I don’t think I thought about being an actor until I was 15 or so. I think before that I used to read a lot of books about ancient civilization and I think I thought I wanted to be an archeologist. I think I do still want to be an archeologist! I don’t know that I’ll ever be able to make the break properly, but I always thought that would be so great to dig around under the pyramids or go into the jungles or look for lost civilizations.
What do you remember most about being on Lost?
Working on Lost was kind of like being a character on that show. The characters were on a remote island in the middle of the sea and I as an actor was on a remote island in the middle of the sea, cut off from the life I had on the mainland. It was rare that I got to see Carrie and a kind of lonesome undertaking, kind of solitary, so there I was. There was a lot of overlap between the fictional character I played and the life I was leading in the playing of it. You know, running around in the jungle and standing on the beach looking at those sunsets and you think this doesn’t seem like my real life at all! Its kind of wonderful, but where is everybody?
If I ever missed an episode of Lost, I was lost! Did the show ever confuse you?
Oh sure, constantly! In between takes, I would sit around with Jorge [Garcia] and Terry [O’Quinn] and try to figure out what the heck was going on and where could it possibly lead. As if the writers were sending us coded messages that we couldn’t quite decipher!
Tell me about your years as a magazine illustrator.
Being a freelance magazine illustrator in New York in the ‘70s was a fun undertaking. It had a certain low glamour about it, living in Brooklyn and coming into town with your portfolio every day, like they did in the those days before electronic things. We’d come in and drop off our portfolios and magazines would have one day a week at lunch where they’d look at portfolios, and if they saw something they’d like they might call you up to draw a picture for them. I did that for many years and it was fun. But then after awhile, some of the novelty and glamour wears off and then you’re left with this solitary, time-consuming grind at home making these pictures and it didn’t pay all that well, so eventually I thought there must be a better way.
Do you still draw?
No, it’s funny. People seem shocked and disappointed when I say I haven’t touched a pencil to paper to draw in many years. I guess whatever satisfactions I got from illustrating on paper; I now get that same kick by illustrating characters personally.
Your wife Carrie Preston is also an actress. Is it helpful to have a spouse who is also in the entertainment business?
The conventional wisdom in showbiz is that you should not marry another actor, but who are you going to meet and fall in love with? I mean, most of the crushes your ever going to have as an actor are on other actors because you think they’re so damn good. I had such a crush on my wife and we have a happy marriage and I think there are many things to be said for your spouse being in the same line of work. They fully understand the big events, the traumas, the disappointments, the insecurities. They know what it means to have an opening night, to be rejected at an audition, to have things fall through and also conversely to win an award or something like that. So it’s good, we are compatible in that way and can support one another.
What are some of your favorite shows right now?
We watch The Good Wife, partly because it’s a really good show and partly because my wife has this crazy good recurring character on it. We like moody, violent mysteries like The Killing. And we are big fans of Elementary. We watch my show, not that I enjoy watching my own face or hearing my voice coming out of the tube, but I need to keep up on it, it’s a good refresher. That way, people don’t stop me in the street and say, ‘What the heck were you doing in that episode?’ and I don’t even know what episode they’re talking about!
What can you share about what’s in store on Person of Interest?
Right now, there is more Lost-ian paranoia then there ever has been, and I hope it will pass, but we have big stuff coming. The kind of earth shattering developments in character narratives that have to be guarded like state secrets! There’s a lot of high security protocols with the handling of the scripts and certain scenes are given to you on the day that they shoot and scripts are being printed with faked characters and events in them now, so that God forbid anyone should get a hold of one they would be confused as to what’s really going on. I’m hoping that I’ll get it all figured out because obviously my security clearance is not high enough for me to be on top of everything coming down!