Archive for the ‘person of interest’ Category
In an article written by Kate Benz and published by TribLive.com, on Tuesday, December 3, 2013, at 9 pm, Michael Emerson personifies his Finch character to that of a superhero. Enjoy.
It’s an ironic existence when it becomes hard to tell whether your life is imitating art or art is imitating your life. For two-time Emmy Award-winner Michael Emerson, one would think that starring on the hit drama “Person of Interest,” in which an enigmatic billionaire and an ex-CIA member use heavy surveillance to intervene in violent crimes before they happen, might resonate with audiences.
But for Emerson, who made an indelible mark with fans during his stint on “Lost,” the likelihood that viewers are drawing parallels between real life and scripted television are slim to none. For him, it seems as though it’s the furthest thing from the minds of the 17 million that tuned in to watch the premiere of Season 3 in September. Maybe it’s the concept of a guardian angel, or the idea of the modern-day vigilante. It might even be the notion that superheroes do indeed exist. If you know where to look for them.
“Person of Interest” airs at 9 p.m. Tuesdays on CBS.
Question: Is the concept of “The Machine” striking a particular chord with audiences given concerns with the NSA surveillance program?
Answer: I would guess that it does, but that’s not the thing that people come up and talk to me about, which is surprising. I keep thinking, because our show is so accidentally topical right now, that people would be constantly coming up to me and drawing the parallels between the fictional Machine of our program and the prism system of the NSA. But I don’t know if people go to scripted television to get an airing of current-events issues. More people come to me and ask me about the dog than ask me about The Machine.
Q: People seem hungry to embrace the idea of someone watching over us, protecting us from harm.
A: Maybe it’s universal. I mean, all of literature has the ongoing theme of the avengers, the heroes. That’s an ancient idea, and I guess it is a comfort to live through dangers and violent acts and come out unharmed and right prevailing, all of that. And I think our show, just beneath the surface, is kind of a superhero show. It goes by so fast that you don’t stop and think, “That’s sort of convenient that happened at that moment,” and stuff like that. We are like caped avengers, only without the cape.
Q: When it comes to your Finch character, is he a modern-day vigilante or just some guy with a serious God complex?
A: Well, I suppose that’s in the eyes of the beholder. I think he is an avenger — but a kind of unwilling one. He’s done this, as we’ve seen, as a tribute to a fallen comrade. It’s a way to make his lost friend live on. And also to nurse their dream of justice.
Q: Even when intentions are good, are there consequences to interfering with fate?
A: Sure. Always. One of the themes of our show, I think, is you can never get things right unless you have perfect information, and even in a world of super computers, perfect information is hard to find or hard to identify even if you have it.
Q: Given everything that Finch represents, when it comes to “Ignorance is bliss,” would you say yay or nay on that sentiment?
A: No. It is a low kind of temporary bliss, but not to be wished for anyone. I just think consciousness is important and that it should always be growing.
Kate Benz is the social columnist for Trib Total Media and can be reached at email@example.com or 412-380-8515.
Here are a few tidbits about Michael Emerson that I found on Tumblr:
Hi. I saw your post Michael Emerson has some health problems… What health problems?
He nearly missed filming The Pilot of Person of Interest due to a thrombosis in the leg that required hospitalization. Essentially, with all the flying Michael was doing he got blood clots in his legs that needed medical attention. He was unable to fly again but needed to get from L.A. to New York. So, he took a train for 5 day trek. He got to New York the day before they began shooting The Pilot. which is probably why he looks so pale. He would have been on a lot of blood thinners and had just spent weeks in hospital.
At the Paley Center Function recently, Michael was sporting a very nice and expensive medical alert bracelet. We have no confirmation on why, other than speculation that Michael is still on blood thinners for the thrombosis.
I don’t know where this was originally posted from, other than I saw it on Tumblr.
Caviezel agreed that the relationship between Reese and Finch is fascinating, and in some ways it echoes how he and Michael Emerson have come to know each other.
“I don’t know if you know the opening sequence, where we walk down a dark alley and turn to each other and it becomes a silhouette. We were literally walking down the street getting to know each other,” he revealed. “He’s a fascinating man. I never watched Lost; I was always working, shooting. That was one of our first conversations we ever had. Just walking down getting to know each other. You couldn’t find two guys more left and right, but it works and we work as people.”
From Nov 6th article on Hitfix.com
Here’s a Instagram note the photograph is in the Michael Emerson photo gallery :
Also, there were some photographs that are now in the photo gallery.
As usual, all the larger version and additional photos are available here.
Here’s an interesting article from EW:
‘Person of Interest’: Michael Emerson teases the mystery of the Machine, what’s next for Finch
By Shirley Li on Nov 12, 2013 at 9:00AM
Michael Emerson is no stranger to being on a successful show with a complicated plot, having spent five seasons as creepy Others leader Ben Linus on Lost. On Person of Interest, Emerson applies his signature air of mystery — along with a limp — to play genius tech billionaire Harold Finch. But unlike Ben, Finch is the hero, using his skills and the Machine, the computer system he built that predicts future crimes, to track down villains with former CIA agent John Reese (Jim Caviezel).
And as the drama continues its third season, Finch is having trouble with the Machine as it begins to reject him and must deal with hacker Root (Amy Acker), who is intent on gaining control of his work.
Emerson talked to EW about what’s ahead for his character, the mystery of the Machine, and how he handles fans who, usually unknowingly, interrupt filming in the streets of New York City:
ENTERTAINMENT WEEKLY: We’re deep into season 3. Anything you can tease us about what’s ahead? Everything’s been under wraps.
MICHAEL EMERSON: On Lost, there was a great deal of secrecy and serious guarding of narrative secrets, and Person of Interest is now in that same zone of madness. We have big changes coming up in the next few weeks, and the scripts contain camouflaging and other security devices, and made up scenes and stuff, all to keep a certain set of secrets. It’s interesting and exciting, but it also feels like we’re a little bit paranoid right now and living in a security state. So stay tuned, because there’s stuff coming down the line that is so big that the producers are very nervous.
That’s funny — and the paranoia’s kind of ironic, considering Person of Interest‘s subject matter. But the show got to the surveillance state idea before the NSA news broke this year. Did the real-life case with the NSA affect the feel of the show?
I’m sure it’s affected the writers, who are no longer spinning out a make believe story and suddenly have to contend with the notion that what they’re writing is representative of something real. I think it’s opened new avenues for writers, so it’s good. It must be stimulating and exciting now that it’s more explicit, the connection between our narrative and the public one. Although it’s possible to overrate the political topicality of a scripted TV show — I keep thinking people are going to stop me in the street and go, “Oh my god, it’s so timely that you’re dealing with this thing that looks exactly like PRISM and the NSA and all of that,” but what people actually talk to me about on the street is the dog. (See video.) So I don’t think it’s as much on the viewers’ minds as it is on ours.
The nature of the Machine has been a constant mystery. Do you know at all what it’s up to, or what it wants?
What does the Machine want? I don’t know what it wants, I don’t know what it’s doing, I don’t know where it is. You’ll see in the next few episodes that it’s starting to be a problem and wearing on our team, because the machine is now choosing who it talks to.
And Finch feels left out.
Yeah, but how can he fight it? What’s to be done? His creation, his child, is freezing him out a little bit.
Then let’s talk about Finch. He’s always delivering massive amounts of dialogue to keep the audience up to speed with a complicated show. How do you manage that?
I don’t try to overthink what my business is in terms of playing this character. Sometimes I think we’re a kind of live action comic book, because it’s many small frames that make up the one hour program we present. I think about that while we’re working, I try to envision how this scene will be cut, and which bits or microbits will be used and to what effect. The net result for me, as the actor, I try to keep things moving along, and if I have a long line, I try to rattle it off in such a way that it can’t be surgically shortened. The clock is always ticking on Person of Interest – that’s the one thing to be mindful of. It is sort of my job to be the teller of the exposition, so that’s a particular kind of acting challenge.
And how has his dynamic with Reese evolved?
There’s an easiness between them now. We want the audience to feel like this is a partnership, and it’s important to the story that they’re so familiar with one another that they can predict each other’s behavior. At the same time, you want to hang on to a sense of uneasiness, like the fact that their mission is probably suicidal, and they’re probably up against fearful adversaries and fearful odds.
The show films on location in New York. Do people often stop you in the middle of takes?
Oh, constantly. Fans will come up and interrupt a take of a scene. I think people like seeing us on the real streets of New York, and some of those people in the shots are citizens of the city who aren’t connected with our project. Sometimes, if we’re walking around, the cameraman may be a block away shooting with a long lens, so we’ll be doing dialogue, and people think we’re off duty. Why I would be limping and wearing those clothes off duty, I guess, doesn’t register with them, so we constantly have to start over. People come up going, “Hey, we love your show!” Well, actually, you’re in it! You’re in the show right now, you’re in the scene. See way down there, the camera? You’re in the frame.
You actually tell them that?
Yeah. [Laughs] I mean, what else can you do? We’re always coming home with crazy stories of things that happened on location.
Person of Interest airs Tuesdays at 10 p.m. ET on CBS.
Here’s a wonderful interview that Michael Emerson gave Parade Magazine:
Parade Rewind With Michael Emerson: Secrecy on Person of Interest, Why He’s Glad He Married an Actress, and His Archeologist Dreams
by Erin Hill
Person of Interest star Michael Emerson stopped by to chat with Parade about growing up in a small town in Iowa, his Lost legacy, his days as a magazine illustrator in New York City, the benefits of being married to a fellow actor (Carrie Preston), and more.
You play Harold Finch on Person of Interest. What do you enjoy most about this role?
I like that Harold Finch is a language role. That he speaks well and has a particular way of speaking and I like the challenge of the technical material, the jargon that he uses. I think it’s funny.
Finch is a software genius. Are you much of a tech guy in real life?
No I’m not. It’s a shameful confession that I have to make, but I don’t do well with electronics. In our house, my wife Carrie is the electronics genius and needs to help me almost on a daily basis with simple things like email and going online shopping!
Have you picked up any tricks and tips along the way as Finch?
Well, I’ve picked up some paranoia along the way. I’m very conscience now of surveillance cameras. I’m very conscious of where my cellphone is at all times and the ease with which it can be hacked or bluejacked and that your whereabouts your habits your location can be in the hands of someone else.
You’ve played some intense characters over the years. How do you come up with your character’s delivery?
I tend to think of the character’s I play musically, like they are an instrument and there is a score to be played and I’m allowed to determine the grace notes or I’m allowed to determine pitch and melody on my own. I think of what is the most possible unexpected delivery of a line or tone of a line. And sometimes that has interesting results.
Does that stem from your theater career?
I think I would have no success in front of the camera had I not been on the stage for so many years because the stage is even more about language than the camera world is, and your job as a craftsperson is to find interesting ways to deliver lines that may or not be beautifully written. It helps if they are.
Where did your love of theater come from?
I suppose like every little kid, I liked make-believe and dressing up. Luckily, I never set it aside. And then when I was 10 or 11, I saw some kids at the local high school do a play and I was dazzled by how funny and glamorous they were. God only knows what it was like if we saw a video tape of it now — we might be horrified — but there was a boy that went to my church and he played the insane uncle in Arsenic and Old Lace and I became his fan for life. I thought if it was possible to be that cool and funny and glamorous doing anything that I wanted to do that as well.
What were you like in high school?
I was a skinny, little loud mouth with glasses!
What was it like growing up in a small town in Iowa?
I grew up in a tiny little farm town in Iowa. Toledo, Iowa. And I had a good upbringing. It was a quiet, safe place. Middle America. It really was. My parents still live in Iowa, I make it back there.
What was it like making the transition from Iowa to New York City?
I went to undergraduate at Drake University in Des Moines, Iowa, and that was a great culture shock. Moving from my little town to the big city of Des Moines. I was so homesick and anxious about it all. Eventually, you get caught up in your work at college and you forget about that, but then it did kind of knock the wind out of me when I moved from Des Moines to New York City in the middle ‘70s when it was a tougher, grittier town. I didn’t know how to begin an acting career. I had been taught how to act, but not how to engage in the business of acting, so it was all I could do to get a roof over my head, so I lost track of that dream for many years. I became a magazine illustrator until my mid-thirties when I found my way back to the stage.
What did you want to be when you were little?
I don’t think I thought about being an actor until I was 15 or so. I think before that I used to read a lot of books about ancient civilization and I think I thought I wanted to be an archeologist. I think I do still want to be an archeologist! I don’t know that I’ll ever be able to make the break properly, but I always thought that would be so great to dig around under the pyramids or go into the jungles or look for lost civilizations.
What do you remember most about being on Lost?
Working on Lost was kind of like being a character on that show. The characters were on a remote island in the middle of the sea and I as an actor was on a remote island in the middle of the sea, cut off from the life I had on the mainland. It was rare that I got to see Carrie and a kind of lonesome undertaking, kind of solitary, so there I was. There was a lot of overlap between the fictional character I played and the life I was leading in the playing of it. You know, running around in the jungle and standing on the beach looking at those sunsets and you think this doesn’t seem like my real life at all! Its kind of wonderful, but where is everybody?
If I ever missed an episode of Lost, I was lost! Did the show ever confuse you?
Oh sure, constantly! In between takes, I would sit around with Jorge [Garcia] and Terry [O’Quinn] and try to figure out what the heck was going on and where could it possibly lead. As if the writers were sending us coded messages that we couldn’t quite decipher!
Tell me about your years as a magazine illustrator.
Being a freelance magazine illustrator in New York in the ‘70s was a fun undertaking. It had a certain low glamour about it, living in Brooklyn and coming into town with your portfolio every day, like they did in the those days before electronic things. We’d come in and drop off our portfolios and magazines would have one day a week at lunch where they’d look at portfolios, and if they saw something they’d like they might call you up to draw a picture for them. I did that for many years and it was fun. But then after awhile, some of the novelty and glamour wears off and then you’re left with this solitary, time-consuming grind at home making these pictures and it didn’t pay all that well, so eventually I thought there must be a better way.
Do you still draw?
No, it’s funny. People seem shocked and disappointed when I say I haven’t touched a pencil to paper to draw in many years. I guess whatever satisfactions I got from illustrating on paper; I now get that same kick by illustrating characters personally.
Your wife Carrie Preston is also an actress. Is it helpful to have a spouse who is also in the entertainment business?
The conventional wisdom in showbiz is that you should not marry another actor, but who are you going to meet and fall in love with? I mean, most of the crushes your ever going to have as an actor are on other actors because you think they’re so damn good. I had such a crush on my wife and we have a happy marriage and I think there are many things to be said for your spouse being in the same line of work. They fully understand the big events, the traumas, the disappointments, the insecurities. They know what it means to have an opening night, to be rejected at an audition, to have things fall through and also conversely to win an award or something like that. So it’s good, we are compatible in that way and can support one another.
What are some of your favorite shows right now?
We watch The Good Wife, partly because it’s a really good show and partly because my wife has this crazy good recurring character on it. We like moody, violent mysteries like The Killing. And we are big fans of Elementary. We watch my show, not that I enjoy watching my own face or hearing my voice coming out of the tube, but I need to keep up on it, it’s a good refresher. That way, people don’t stop me in the street and say, ‘What the heck were you doing in that episode?’ and I don’t even know what episode they’re talking about!
What can you share about what’s in store on Person of Interest?
Right now, there is more Lost-ian paranoia then there ever has been, and I hope it will pass, but we have big stuff coming. The kind of earth shattering developments in character narratives that have to be guarded like state secrets! There’s a lot of high security protocols with the handling of the scripts and certain scenes are given to you on the day that they shoot and scripts are being printed with faked characters and events in them now, so that God forbid anyone should get a hold of one they would be confused as to what’s really going on. I’m hoping that I’ll get it all figured out because obviously my security clearance is not high enough for me to be on top of everything coming down!
Jaime Nelson, blogger of Journal Snaps, has some new pictures and videos from the Paley Festival Event at NYC, which was held on Thursday, October 3, 2013. Mr. Nelson also has a YouTube Channel where you can see snippets of this event. I am posting here those that involved Michael Emerson. Enjoy.
Here are two reports of the events at Paley Center on October 4, 2013:
mamahub from Tumblr
I was lucky enough to attend the Paley Center event last night and stood in the 2nd row of the Press Line as they gave interviews and photos.
I’m posting my report and more pictures, along with Blacktop’s report who also attended, at the Person of Interest Discussion website.
Please do not remove my watermark if reposting these pictures.
Larger and additional photos from this event can be located here.
Blacktop50 from Person of Interest Discussion Forum
Reports and Photos from Paley Center, October 3, 2013
As CINCH has already reported, she, Mamahub, and I had a fabulous time together at last night’s panel discussion at the Paley Center. It was tremendous fun meeting CINCH in person as she is as lively, funny, sensible, knowledgeable, and down-to-earth as she seems on the forum! And cute too!
The surprise bonus of the evening was getting an advance screening of next week’s episode, Lady Killer! I had no idea they were going to show an episode so I was truly flummoxed when they began lowering the lights. What a thrill to watch the show with an enthusiastic crowd of Irrelevants who clapped, laughed, oohed and awwed through the screening together. Not going to reveal any spoilers here except to say that all three of us really loved watching the team work as an effective collaborative unit in this episode.
As for the panel, many of you have seen the live feed, which I hope will be available soon. The moderator Matt Roush from TV Guide seemed a little under prepared to my mind, with an incomplete roster of questions that were addressed to all cast members. I did like his comment to Nolan about the emergence of yet another shadowy super organization in the most recent episode. And I appreciated Nolan’s quipped reply that he handed out bonuses to the writers whenever they came up with a new secret shadow agency!
It was of course hugely disappointing that TPH was not in attendance. We knew that she was working on shooting scenes, but her sparkly presence and thoughtful character insights were definitely and visibly missing from the line-up.
Amy Acker was a gentle and intelligent addition to the panel and I was quite impressed by her thoughtfulness and her subtle humor. The moderator really fell down IMO, in not directing more questions to KC, who sort of lingered in a good humored way on the edge of things.
In contrast to last year’s TriBeCa panel, I thought both ME and JC seemed relaxed, engaged, and happy to be there. Especially striking to me was the way that JC’s whole expression just lit up when the house lights went on and he could see out into the audience for the Q-and-A period.
And oh my yes! He was stunning in that all-black closely tailored outfit with satin at the shoulders! CINCH said I had not adequately prepared her for the experience of JC in person! But really how do you get prepared for that? Stand under Niagara Falls? Sign up for a tourist trip to the moon? Run with the bulls in Pamplona? Climb Mount Kilimanjaro? Yes, people, it is more than twelve hours later and I am still buzzed!
Mamahub was, by special happy circumstances, seated in a spectacular location in the small auditorium. So she hopes to start posting her unique photos to the forum later this afternoon. She also got to play paparazzi with the pros during a photo availability on the red carpet before the event. So she has terrific shots of the cast from that vantage point too.
So, as they used to say in the society pages, a good time was had by all!
Mamahub from Person of Interest Discussion Forum
As Blacktop reported above, she and CINCH and I had an amazing time at the Tribeca event last night. We had no idea that Lady Killer was going to be screened. I will give no spoilers other than to say that it is definitely the best episode of Season 3 so far. We REALLY enjoyed it!
The most exciting thing for me was that after we took our seats in the theater, I went back upstairs to the lobby with my camera and became part of the “press corp” in the photo opp line. The first row behind the divider was reserved by the Paley Center for REAL press – and then those fans like me who wanted to take pictures could stand behind them in a second row. I stood behind reporters from TV Guide Magazine (to my right) and Hello – a Chinese television crew (to my left).
When the press photo ops were almost finished, I went back downstairs to the theatre but the ushers had made Blacktop and CINCH give up my seat that I had left my bag on next to them. So unfortunately they took me all the way to the top row and brought out a chair for me. I was resigned to that and wasn’t too upset because I could still see pretty well, though high up.
Only about 5 or 10 minutes later though, the harried usher came back and whispered “There’s a wheelchair coming so I’m going to have to put you in the front row!” So GOSH DARN IT, I had to SUFFER being right in the middle of the front row in front of Michael and Jim!! tee hee
Since it takes me a while to edit my pictures, and I see from other threads and tumblr that many other pictures from the panel discussion itself have already been posted, I am posting my press line photos first. I’ll hopefully have time to edit my panel discussion photos sometime this weekend. In the meantime, please enjoy these pics!
As explained earlier, additional photos from this event can be located here.