Found this article in Deadline.com:
Michael Emerson & Sally Field Will Lead All-Star Reading Of Oscar Wilde Docu-Drama Banned By Kremlin
What Moscow rejects, Manhattan embraces: Moisés Kaufman’s celebrated 1997 docuplay Gross Indecency: The Three Trials Of Oscar Wilde, recently canceled by the Kremlin during pre-production, will be presented in October by a star-driven cast as a fundraiser in New York.
Emmy-winner Michael Emerson (Lost, Person Of Interest) and Oscar winner Field (Norma Rae) will be joined by Jonathan Groff (HBO’s Looking and currently on Broadway in Hamilton), Michael C. Hall (Showtime’s Dexter), David Hyde Pierce (NBC’s Frasier, Broadway’s Vanya And Sonia And Masha And Spike), Tony Kushner(Broadway and HBO’s Angels in America), Judith Light (Amazon’s Transparent, Broadway’s Other Desert Cities), Darren Criss (Fox’s Glee, Broadway’s Hedwig And The Angry Inch), Tituss Burgess (Netflix’ Unbreakable Kimmy Schmidt) and others. Emerson played Wilde in the original off-Broadway production.
Earlier this year, Kaufman and his Tectonic Theater Project were working with the Moscow New Drama Theatre and the U.S. State Department to produce a Moscow revival of Gross Indecency. In the middle of pre-production, the Kremlin blocked the production because of the play’s LGBTQ content. Kaufman and the company then decided to produce the benefit reading to spotlight the suppression of the rights of the LGBTQ community in Russia.
The reading, staged by Kaufman, will take place October 5 at the Gerald W. Lynch Theater on the West Side campus of John Jay College. Proceeds will benefit the Tectonic Theater Project and the International Gay And Lesbian Human Rights Commission. The reading will be sponsored by Broadway Cares/Equity Fights AIDS and the Hilda Mullen Foundation. Info is at tectonictheaterproject.org.
Back in 2009, Michael Emerson did an interview for the Jacksonville Magazine. You can see the result in the Michael Emerson Photo Gallery. Here’s the teaser:
Emmy-winning actor Michael Emerson has performed on Broadway with Paul Giamatti and Kevin Spacey, appeared in the top-grossing horror film franchise of all time and currently stars on an ABC drama that Time magazine named one of the 100 best shows of all time (he won the Emmy for Outstanding Guest Actor in a Drama Series for The Practice, by the way). And he has Jacksonville to thank. Emerson moved to Jacksonville by way of New York City in the mid-’80s and quickly got involved in the arts community.He acted in a number of productions at Theatre Jacksonville and served as its technical director of theater. He also taught drawing at Flagler College in St. Augustine. “I had a good life in Jacksonville,” he says of his six years in the River City, “and found myself as an actor.” These days, Emerson and his wife, Carrie, are “tri-coastal,” living in New York and Los Angeles for seven months and Hawaii when he’s shooting Lost. But he’ll always have a place in his heart for Northeast Florida.
1. Saw was the most dangerous shoot I’ve ever been on, and I was glad to escape with only minor injuries. I had cracked ribs, lumps, bruises and scrapes all over me. I couldn’t sleep on my right side for weeks.
2. I played a Polynesian witch doctor in the fifth grade play. My first Jacksonville role was Iago in Othello at UNF.
3. Nothing makes me more nervous than public speaking (as myself). Talk shows? … Terrifying!
4. I have worked as a landscaper, carpenter, painter, shipping clerk, teacher, designer and director—but only waited tables once. I lasted three hours in the dining room of the Des Moines Country Club before I poured coffee on a lady. I wasn’t asked back.
5. People understand (in their rational minds, at least) that I am not really the character I play on Lost. But some of them are cautious around me, behaving rather formally and keeping a safe distance.
6. I always wanted to be an archaeologist. Still do. I like archaeology because I am a person oriented toward the past and because it is a kind of detective.
7. Director Sam Raimi gave away the part I was playing in the film For the Love of the Game to his brother.
8. I’ve never been very comfortable with guns— never held one in my life except in front of a camera.Strangely, I’ve carried guns in almost every role I’ve played in movies and TV. Hell, you can’t ask someone to pass the salt on Lost without drawing a gun!
9. I learned to act for the camera by doing training films for the U.S. government in Brunswick, Georgia.
10. Sixteen years later, I still have a storage unit in Jacksonville, which contains 500 vintage Lps, all of my graduate school papers and original sketches from my life as an illustrator, and an assortment of canes, swords, wigs and trophies from my North Florida theater days. I never had an apartment with enough space to keep them, but this year I’ll finally empty it out. I think.
5:15 p.m.-6:15 p.m. Person of Interest (Midseason on CBS): Person of Interest returns to San Diego for the fifth year! Join the discussion, as the science “fiction” of Person of Interest stays one step ahead of real-world events. Find out highly confidential intel when executive producers Jonathan Nolan, Greg Plageman and Denise Thé join series stars Jim Caviezel, Michael Emerson, Kevin Chapman and Amy Acker undergo a Comic-Con interrogation with a special video presentation and Q&A. Room 6BCF
5:15 p.m.–6:15 p.m. Person of Interest (Midseason on CBS): Person of Interest returns to San Diego for the fifth year! Join the discussion, as the science “fiction” of Person of Interest stays one step ahead of real-world events. Find out highly confidential intel when executive producers Jonathan Nolan, Greg Plageman and Denise Thé join series stars Jim Caviezel, Michael Emerson, Kevin Chapman and Amy Acker undergo a Comic-Con interrogation with a special video presentation and Q&A. Room 6BCF.
Warning: Spoilers for Person of Interest Season 4 finale
During last week’s Person of Interest, the Machine made an interesting move that seemed selfless (emphasis on seemed): Finch and Root spotted Shaw; Control outed a Samaritan spy; and Reese, Fusco and Elias battled the Brotherhood. One more major plot point: Root broke Martine’s neck, which became one of the most satisfying moments of the year.
The fourth season finale airs tonight. TV Goodness recently chatted with Michael Emerson (Harold Finch), whose excitement for “YHWH” was infectious. To be fair, there’s a healthy dose of fear mixed in with that excitement on our part. Emerson feels this might be a painful hiatus for POI fans. Is there any other kind?
TV GOODNESS: What are your thoughts on the Machine making the decision to give up its location?
Michael Emerson: After you’ve seen the finale you will understand that the Machine did not give up as much as you might think. This is a case of the Machine is playing a very good game right now and there’s strategy at work. It’s all desperate and it’s still pretty much suicidal but they are operating intelligently — our heroes and the Machine — within the narrow confines of a very restricted plane of action. (laughter) So you haven’t seen the finale?
TV GOODNESS: I have not seen the finale yet.
Michael: Oh cool. It’s gonna knock you out. It’s so crazy good the way things develop in the finale, it’s quite exciting. And I will say quite moving also.
TV GOODNESS: Well, last year’s finale was quite powerful and devastating and game-changing. Is that something we can expect again from this one?
Michael: Yes. Now that we’ve gotten used to the show’s uber storyline of this being a war between two self-improving AIs — one of them seemingly enlisted on the side of good; and one of them seemingly enlisted on the side of evil — I think the finale takes us to the next place. I would say that…I guess all our finales are pretty good…this is a pretty great one. This is a pretty great one on Tuesday night. Everything is still as desperate and dangerous as it always has been or at least for the last season…ever since Samaritan went online. That’s still…the existential problem. But we learn a lot about our heroes. And I think we like them even more at the end of the finale.
TV GOODNESS: Right now it’s Root and Finch together and it’s Fusco and Reese in a different storyline and there’s also Control. Will we be seeing everything connect or intersect in the finale?
Michael: Yes, I think you can say that. Although the forces for good — and I use the term loosely because when you’re talking about Control, I don’t know if you’re talking about a good person — but the people that seem to be enemies of Samaritan are on different tasks now but all on the same agenda which will bring them all into the battle on the same side. But as I say, there are many grave risks and not everyone is going to survive episode 4×22.
TV GOODNESS: In “Asylum” we also saw Shaw. Is there a Shaw presence in the finale?
Michael: I think Shaw is more felt than seen in the finale. She’s sort of the ghost that hovers over our enterprise but the events of the finale requires everybody’s full attention. I hope that one of the things that happens in the fifth season is that we see Shaw again. That would be good. I miss her.
TV GOODNESS: I was going to ask you about that because we all miss her too…
Michael: She was such a great addition to the show and she was so…for a feeling-less assassin with no loyalties; she was both fear and really, really funny. And I don’t know how they managed to make that work. She made Mr. Reese be warm and fuzzy. I just loved her dealing with her own feeling-lessness.
TV GOODNESS: What have you enjoyed most about season four?
Michael: Well, I enjoyed being teamed up with Amy [Acker] as much as I have been. Because that’s a damn good actor. So super prepared. And [Root and Finch] have a funny kind of twitchy, edgy on-again, off-again kind of relationship. It’s always kind of wonderfully prickly and…why does he even like her? I don’t know but I think he does against his will. I think he’s drawn to her passion for the Machine, which is crazy. And sometimes you don’t pick the members of your own army or whatever. So at least she’s on the right side of things. She’s cuckoo and dangerous, unpredictable, but she’s on the right side.
TV GOODNESS: I know. I’m thankful for that.
Michael: She is so resourceful and so wonderfully, comically off hand about things. It’s like she’s a multitasker who doesn’t pay much attention to things like knocking people out or stealing guns or driving a hundred miles an hour or any of that stuff at all. She’s just like it’s all in a day’s work.
TV GOODNESS: If you’d have told me in season one that in season four it would come down to these two Machines, I would never have called it. What are your thoughts on that?
Michael: Joy, delight, admiration. I suppose maybe [EPs] Jonah and Greg [Nolan and Plageman] always had that in the back of their minds that they were going to take it to a more science fiction place. Although I wish it were a little more fictional and a little less plausible. It’s terrifying when you think about it. But I think that’s what those guys love to write and so they found their way there in a clever way and they sold CBS on it, apparently. It’s an unusual kind of narrative for a CBS show that once seemed to be procedural and now is this great global battle between two unleashed self-improving AIs.
TV GOODNESS: Did you watch Taraji’s [P. Henson, Det. Joss Carter] return in “Terra Incognita?” What did you think about it?
Michael: I thought it was a cool way to get…I don’t know how they convinced her to come back in the dead of winter and sit in a car out in a frozen field for…I don’t know how many days it took them to shoot that car stuff. I thought she was so game. And, of course, she’s the queen of television now. I could not be happier for her. It’s so delightful to see her get to dress up and be larger than life. We miss her, of course. What I regret is that two seasons in a row we have lost sort of our great leading ladies. It’s hard to keep finding people good enough to come on…that’ll be one of the things that we discover in season five I think…who’s new? Who’s going to come in and change the game?
TV GOODNESS: Well, you keep mentioning season five does that mean there’s been a renewal?
Michael: I would be flabbergasted if we weren’t renewed. I don’t know why it hasn’t been made official yet. I’m fully expecting to go to work on the Monday after the Fourth of July.
TV GOODNESS: Back to the finale, does it end with a big cliffhanger or is there a resolution in a certain way? Will the summer hiatus be painful for fans?
Michael: You are going to be on tenterhooks until September. Because it ends in a quite – how can I say this — a note of desperation and danger and something upbeat. It’s that kind of thing where you’re going to go, ‘Yes!’ You’re gonna go yes and then you’re gonna go, ‘how did they think of that?’ (laughter) The Machine becomes a new kind of presence in the show in the finale. There’s some wonderful scenes and you’ll see them soon enough. But it’s pretty great.